![]() ![]() I use Waves GTR Bundle and Peavy ReValver mostly for this purpose. The BXO9 plugin also has a Vinyl and Microphone Hissing effect to add that lo-fi sound to the selected sound. Perfect to replicate the tone of vintage documentaries or to create the horror soundtrack of the next Silent Hill video game. In particular another technique I use is really compressing that "room" track hard, making it pump, and then also hitting the Drum buss with a compressor that can make it pump and flex.īut ya, doing the bleed thing really makes things thicken and gel together on the bus compression and in general really.ĮDIT: I forgot to include one of my favs, running them through amp and cab sims (ya know for guitars) and also through different guitar fx pedals (sims or otherwise) you can get nice sounds that way. Bootstrap dependency digest>20010302: found digest-20121220 WARNING: license. I then mix with different flavors of compressors, 1176 emulations are good, so are FET and Tube type compressors. Sometime on the kick, I will exclude any bleed, sometimes it gets in the way of being able to make it thump. I'll then do the same with the other elements. Next, I will take the cymbals, rides, crashes, splashes, etc, and mix in (via sends) small amounts of the other parts of the "drum kit" imitating the bleed you would get from recording real drums. (Like when you mic up room mics for a drum kit) (oh and the best presets that work are usually ones that are meant to sound like a studio room like "Studio A" or whatever) This Bus will then be your "Room" track. ![]() Take the drums, all of them, route them to a buss, put a reverb on the buss, I find a convolution verb or at least something that recreates "real" space acurately (or close to anyhow) and put it 100% wet, then back off until you can start to hear the kick drum and snare sounding like a snare and a kick drum. A trick that works for me a lot is recreating what you would have if you recorded drums naturally. ![]()
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